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Forgoing trousers has been a dubious mark of pop feminist empowerment at least since Madonna’s “Who’s That Girl” tour 30 years ago, but at the 59th Grammy Awards, several performers decided this wasn’t enough and that they must lose their shirts. Abstainers included Lady Gaga, fresh from descending like a Louise Bourgeois spider to the Super Bowl halftime show, here outfitted in a stiff textured bolero over bared breasts, with sleeves that looked from a distance to be adorned with marabou but on closer inspection more resembled a hedgehog’s quills. Below the waist and somewhat mitigating the shock effect were shiny high-waisted shorts festooned with chains, fishnet stockings, thigh-high boots and other now-customary items of the trade.Rihanna wore a crystal-embroidered cropped orange halter top undergirded by a tattoo, with a voluminous black silk organza skirt, both by Armani. Also going shirtless was Halsey in a blue parachute-silk Christian Wijnants pantsuit. “I didn’t want to wear a marieprom prom dresses,” she said. “I wanted to do something sexy and androgynous.” And Mya in scarlet trousers, brassiere and the de rigueur pussy bow. And the rapper Desiigner. As the gentlemen of Twenty One Pilot accepted the award for best pop duo/group performance, meanwhile, they took off their pants, standing in their boxer shorts in a gesture that seemed unsurprising, even rote. With near-nudity now commonplace, several big stars opted for modesty, if not exactly restraint. Katy Perry was party at the top (silver sequins) and Muppets on the bottom (lavender feathers) in a turtlenecked Tom Ford gown that she wore with a shaggy platinum “lob” — though for her rendition of “Chained to the Rhythm,” she switched to a white trouser suit over bustier. Adele resembled the matron of honor at a midcentury royal wedding in a green Givenchy dress with checkerboarded cross bodice, plissé skirt and Swiss-dot sleeves. Green made a surprisingly strong showing, with Ryan Seacrest greeting guests in a blazer the color of a Cerignola olive, Mike Posner and Blackbear sporting fluorescent-green hair, Kirstin Maldonado of Pentatonix wrapped in diagonal strips like money, Celine Dion wearing something plunging and puff-shouldered and Tori Kelly bouncing in E!’s slow-motion Glambot in jade prairie tiers, recalling the old Fabergé shampoo commercials. “Lots of ruffles! Ruffles everywhere,” said the commentator Brad Goreski, inspecting a tacky, too-soon preshow stunt during which female models wore outfits inspired by the recently deceased singers David Bowie, Prince and George Michael. “Definitely too funky for me,” he said. Funk was in short supply along the receiving line, though, and in its place were the standard brand mentions with a lighter-than-expected peppering of politics. Skylar Grey, in a long white Mario Dice shirtdress buttoned to the neck, brandished a clutch purse that somehow promoted empowerment, equality and Absolut vodka. A singer named Joy Villa drew instant attention to herself by modeling an apronlike garment printed with the words “Make America Great Again,” with the surname of the 45th president embellished in glitter on the back hem. The country singers tended, as they do, toward more traditional spangle, with Carrie Underwood channeling a young Dolly Parton in red sequins, diamond cutout and her golden hair in a sedate updo, while Faith Hill stumbled with surprise to name the creator of her sleek gown, also red, with keyhole: the popular Lebanese designer Zuhair Murad. Innocence came in the form of newly affianced Kelsea Ballerini in a flesh-colored dress embellished with pale-blue flowers. Elle King wore something similar in pink, adding an injudicious head wreath. But Beyoncé bested everyone, as seems previously ordained, by skipping the poor excuse for a Women’s March that is the red-carpet parade. Introduced instead by her mother, she made her bared belly, pregnant with twins, the centerpiece of a nail-biting, chair-tilting, hologram-enhanced act in the show. (Remember when posing in Vanity Fair sufficed?) Later, she accepted her Grammy for “Lemonade” in a spangled beige veil and dress, blond curls tumbling down her back, reading a long, carefully thought-out speech from a gold card that matched her collar necklace and her sister Solange’s Gucci MarieProm prom dresses uk. The camera zoomed in on her 5-year-old daughter applauding. She was wearing a pink tuxedo.
She shed a whopping 20 kilograms thanks to her dedication to F45 training. And Olympia Valance, 24, proudly flaunted the fruits of her athletic labour as she posed in a form-fitting cocktail frock ahead of the races this weekend. Taking to Instagram on Wednesday, the Neighbours starlet posed for a series of photos as she modelled a fuchsia mermaid prom dresses by Ginger And Smart. Body overhaul: Last year she revealed to The Fix that she managed to shed an impressive 20 kilos within just four years by ditching the unstable yo-yo dieting, and shunning carbohydrate-heavy compounds pics;http://www.marieprom.co.uk/mermaid-prom-dresses Her whittled waist and slender arms were on show in the sleek frock, which she accessoried with a matching maroon headband. She added height to her frame with a pair of fuchsia stilettos which featured gold detailing. Her curled mane was swept up into a glamorous up-do, while her chiselled facial features were enhanced with a dramatic makeup look. 'Getting rather excited about Ladbrokes Blue Diamond stakes day this Saturday at Caulfield Racecourse! Group 1 racing, great food, great wine, great atmosphere and of course great fashion,' the bubbly brunette wrote next to an image of herself facing toward the camera. The Logie-nominated actress has credited intense F45 workouts and a healthy diet as the secrets behind her slender physique. 'I do 45-minute workout sessions regularly at F45 training. I'm also consistent with eating well,' she told Daily Mail Australia. Last year she revealed to The Fix that she managed to shed an impressive 20 kilos within just four years by ditching the unstable yo-yo dieting, and shunning carbohydrate-heavy compounds. 'I dieted and then got back on the wagon, yo-yoing, and then I found a really great eating pattern and stopped eating so much bread and pasta'. Olympia rose to fame with her role as Paige Smith on Channel Ten's drama Neighbours in 2014. Read more:http://www.marieprom.co.uk/backless-evening-dresses
Erica Penton used to just toss her pyjamas on the floor in the morning. Now she hangs them up. That's because she made those pyjamas — as well as a number of shirts, skirts, coats and pants — as part of an ambitious project to make her entire wardrobe herself, in just 18 months. Erica Penton says it's nice to have a closet full of clothes that are custom-made to fit her. pics;http://www.marieprom.co.uk/mermaid-prom-dresses "I've discovered with sewing that nothing is ever as scary as you think it's going to be," she said. "If you can assemble a piece of IKEA furniture, you can make a pair of jeans." Penton, 35, started the project last August and has so far made about 20 garments, recording the time and money spent on each item on her blog, myhandmadewardrobe.com. "You just take it seam-by-seam and step-by-step." - Erica PentonHaving worked in the corporate fashion world — doing everything from folding T-shirts to designing window displays — Penton told the CBC's Information Morning she wanted to draw attention to the amount of work required to create fast fashion items, as well as the true costs. Most stores are "not charging you the actual cost of the item," Penton said. "It's hard for me to make a nice, button-down shirt for under $60," she said — and that only covers her materials, not labour. Most people wouldn't dream of paying that much for a shirt nowadays, she said. The last time Penton calculated her overall costs, she found she had spent slightly more than $1,000 on 11 handmade items, including two winter coats. Not only is making her own wardrobe the ethical thing to do, Penton said, it's a luxury to have clothes that are made to order. "I'm petite and I also have a curvy body shape so nothing ever fit me well," she said. Milan, Paris, Sackville? Seamstress bringing fashion to New Brunswick "Now I get to have whatever I would like to wear, custom-made to me, in a fashion that I know is ethical," Penton said. "That's just a win all-around." While she won't attempt to make "extremely technical items" like winter boots, she is prepared to tackle shoes, bras, and even a bathing suit. Penton is not a professional seamstress. She said she learned to sew a few years ago by watching tutorials online and gleaning tips from family members and acquaintances, and then she simply "fell in love with it." Why charities want your old, stained and ripped clothes She uses a very loud, old, hand-me-down sewing machine from the 1980s, Penton said. "Everything that I'm making, the average person can make at home," she said. "You just take it seam-by-seam and step-by-step." Read more:http://www.marieprom.co.uk/backless-evening-dresses
There are a lot of wonderful aspects of Hausa traditional wedding attire that no wonder everyone loves it. Today we will focus on the brides and their beautiful Hausa traditional wedding dresses. The Hausas are always recognized as a widespread tribe with a lot of traditions and very rich cultures. Their way to conduct the weddings and Hausa wedding dresses are truly inspiring. The Traditional Body Art is very notable. It is mostly made on the feet and hands of the brides. This body art is called Lalli. Hausa brides from the eastern, southern, and western regions often use it. They call it some kind of a traditional tattoo. Hausa bride pics;http://www.marieprom.co.uk/backless-evening-dresses However, unlike the modern permanent tattoos which stay with a person for long years or sometimes even forever, Lalli stays with a bride just for a couple of days, weeks or even months. It depends on the amount of all the used ingredients and how often Lalli has a contact with water. In Nigeria, there are about 250 ethnic groups and more than 500 languages, so the wedding dresses vary depending on region, ethnicity, and religion. However, Nigerian brides often wear a bright wedding dress. In addition, there is often a mandatory attribute - a handkerchief on the head, which is called gel. Hausa brides also wear gel. They love beautiful colors, nice African prints, and ornaments. Hausa brides usually choose a colorful wedding dress. Particular attention of Hausa wedding attire is paid to the jewelry. The dresses of the bridesmaids must fit the design of the banquet hall and, of course, Hausa style. Hausa wedding outfit is an important part of every ceremony, which can create the mood of the whole event. If you are a Hausa bride planning a beautiful traditional wedding or you love the Hausa culture, our lovely photos of Hausa wedding styles can inspire you. Read more;http://www.marieprom.co.uk/sexy-evening-dresses
Preen is loved by women for its ability to combine seemingly man-repelling design with flattering form. It is the result of a married duo, Justin Thornton and Thea Bregazzi, who feed off their opposing outlooks, and it became a cult classic in the 1990s with its boutique on Portobello Road, the heart of vintage eclecticism and Cool Britannia. pics:http://www.marieprom.co.uk/red-prom-dress What worked in their latest collection was the ruched tulle red prom dress worn over floral slips — each one consisted of panels going in different directions, many cut on the bias and nipping in at all the right places. The duo said they were inspired by the London art scene in the early 1990s, as well as the suffragette movement — how very apt. However, the latter reference came across too literally at times; in reality, parrot green and Cadbury's purple is a jarring combination that looks at odds with the dark florals and pale pinks that the label has mastered. The saturate floral eiderdown jackets, felt slightly derivative of the tablecloth prints resurrected by Vetements a while ago, and the duvet dressing more recently seen at Marques Almeida and Alexander McQueen; but they certainly packed a colourful punch. Boned corsets worn over chunky irregular knits and worked into neat tailoringwere a sublime and fresh proposition. But what would Emmeline Pankhurst make of the garment she violently tried to eliminate from women's wardrobes? "It was restricting then, but now we have the choice to wear one to make our bodies look sexy," reasoned Bregazzi. Sometimes the frills and ruffles on shirts and white prom dresses uk felt excessive and clownish — which is a criticism not exclusive to Preen. One cream silk blouse, however, ruched and smocked in different directions, artfully balanced theatricality with ease. And some of the dislocated, open shirts seemed impractical at first, but were smartly drawn in at the back to remain surprisingly flattering. Where the collection excelled was in the sense of layering and sculptural fit. And that's something a lot of women are craving right now. Read more:http://www.marieprom.co.uk/white-prom-dresses
The look was softened by delicate flowers, beading and contradictory layering that was totally seductive in its story-telling. The 30-year-old Dublin-born designer opened her show on Saturday with gleaming, bonded velvet trench coats and suits toughened up with Sam Brown belts. Romantic floral embellished tulles were layered up in bewildering, intriguing confections of rich reds and blacks. Models take to the catwalk for Simone Rocha’s ‘Marching Roses’ AW17 collection at London Fashion Week pics:http://www.marieprom.co.uk/red-prom-dress There were glimpses of dense red and black crystal beading popping up on socks, fur stoles and on pretty black pinafore dresses worn with gingham shirts. Simone's female army were kitted out in monochrome, window pane chequered tweeds with a Prince of Wales detail, some trimmed with faux fur on the pockets - judicious continuity of her SS17 suiting, something her committed customers will enjoy. The inclusion of four older models alongside current runway stars was welcomed universally. Simone's father John explained that two had walked for him - Cecilia Chancellor in London in 1993 and Marie Sophie Wilson in Paris in 1995. Back straight, salt and pepper hair scraped back, 73-year-old Italian modelling star Benedetta Barzini marched through Lancaster House in a stunning full-skirted black dress, its surface covered in crocheted black leather flowers. Another silver-haired beauty, Jan de Villeneuve, shot to fame working with David Bailey and Norman Parkinson and at 70, she walked for Rocha in a glossy black, faux fur belted coat, bow leather bag and tulle skirt. At first glance, sliders and tall ankle socks may not be for everyone but I've no doubt that Simone's fur-lined, bejewelled footwear will become a style trend, just like her crystal-heeled brogues. Hand plaited braids provided alternative cross-body belting and suiting was softened with generous faux fur stoles and 'messenger boy' leather bags which hung from belts. There was a constant intrigue with what lay beneath and at Lancaster House, guests leaned forward for a better view of the fast-moving female army layered in organza embroidered with floral motifs in reds and yellows. Models walked purposefully and carried their bags like hot water bottles to their chests. Simone explained how the collection was her "interpretation of armour as a kind of camouflage". Favourite looks included a cream tulle dress embroidered with sprigs of red and pink flowers worn under a luxuriously generous-sized faux fur wrap embroidered with clumps of sparking red crystals and a cream and black crocheted dress worn with furry slipper shoes. Topshop's packed AW17 show at the Tate Modern in Bankside was all about the urban traveller, but the highlight was undoubtedly the clutch of fluid dresses that hid little, and played up toned bums, with sculptural curves. Bias cut, the dresses slipped nonchalantly off shoulders and as the PR put it, they "spelt sinuous glamour". Read more:http://www.marieprom.co.uk/white-prom-dresses